![]() The instrument inputs are far brighter and more aggressive, while the mic inputs have comparatively more lower-midrange character and less top-end. That attention to detail shows in the final product.Īll four discrete inputs offer something very different tonally. ![]() ![]() UAD found a couple of "golden examples" of the stock 5E3-circuit amp and spent two years analyzing and modeling all of these amps' nuances - everything from speaker paper, to filter caps, tubes, and transformers. There are three main controls - Tone, Instrument Volume, and Mic Volume - and four inputs - two instrument and two mic–level. Like the original, the plug-in's amplification section is simple, despite its versatility. Now I obviously haven't tried them all, but here's what I found with the UAD Tweed Deluxe. Although Universal Audio makes some of my favorite - and to my ears, most authentic - plug-in emulations, I still took to their new UAD Fender ‘55 Tweed Deluxe plug-in with the suspicion that, at best, it could only be marginally more accurate than the other virtual amps I've owned or used. I've always approached amp models with far more skepticism than any other type of plug-in.
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